The Gypsy Chronicles

THE GYPSY CHRONICLES     LETRAS     CULTURE     MURO SHAVO     ART     HOT CLUB     MUSIC     CONTACT      
✿ NADARA
✿ VAGABONTU
✿ NACI EN ALAMO
✿ KESAJ TCHAVE ✿
✿ HOT CLUB ROMA
✿ TRANSYLVANIA
✿ CZIGANY DISKO
✿ KO TO TAMO PEVA
✿ VENGO
✿ URS KARPATZ
✿ LATCHO DROM
✿ CARMEN AMAYA
✿ CARMEN AMAYA
✿ RADA and ZOBAR
✿ Flamenco Puro
✿ Loli Phabay Song
✿ PARNO GRASZT
✿ ESTRELLA MORENTE
✿ OPA CUPA
✿ GYPSY vs KLEZMER
✿ VLATKO STEFANOVSKY
✿ GYPSY CARAVAN
✿ TERNE CHAV
✿ Zoran Tairovic
✿ BUBAMARA
✿ Kolpakov & Madonna

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The film takes the viewer on a journey west, from India to Spain, with stops along the way, to dramatize Romany's nomadic culture. This journey takes place over a year's time, from summer through fall and winter to spring. Gatlif holds his camera on the elemental essentials of this life: water, the wheel, fire, beasts of burden and of sustenance, colorful clothes, jewelry, musical instruments, song, and dance. Throughout, via song and dance, young and old celebrate, embody, and teach the cultural values of family, journey, love, separateness, and persecution. J Hailey


Latcho Drom (rom for "safe journey") describes the travels, singing and dancing of Romany groups from Rajahstan (India), Egypt, Turkey, Romania, Hungary, Slovakia, France, and Spain. Some scenes are acted, but there is no dialogue or narration--only partial translation of some songs. The film illustrates the variety of conditions in which the Romany people live--earthbound nomads in the hot deserts of Asia, ironsmiths and abjectly poor tree-dwellers in the frozen plains of Eastern Europe, and craftspeople and traders in the hills and seasides of north Africa and western Europe. It also illustrates the similarities in travel habits, musical tones (spoons, open drums, and string-based rhythms) and song themes (celebration of travel and perceived rejection by sedentary locals).